Production contracts (pacts) have an extensive impact on the
film making industry. A pact is an
arrangement made between players, studios, and production companies. These pacts can force players to give
studios a chance to purchase a script before other studios can see it, set up a
profit scenario where individual players, studios, and company backers all
share the profits made from the film, and a set up a distribution system where
the studios distribution and marketing branches are used exclusively.
In the current market, these pacts have led to extremely
successful business operations due to the preferential deals acquired by both
sides. This can be seen by the
overwhelming amount of movies in box office created by large studies, a good
amount of which were engaging in pacts.
These pacts help make the filmmaking process much more efficient. Two reasons that pacts have increased
the efficiency of filmmaking is that they narrow down the selection of scripts
studios have to go through and it helps ensure funding and loans. In the film making industries, there
are millions of scripts being sent to studios and a ton more being pitched
verbally. Studios don’t have time
to read and listen to these opportunities, so having pacts with good writers
and studios limits there options on scripts because they will be brought
scripts by proven writers directly and they can purchase these scripts immediately.
Second, it is easier to get
funding. Banks often require a
completion guarantee before supplying a loan. If banks know that the studio has an interest in the movie
being finished, due to the sharing of profits, and that a large studio is
producing the movie they are more likely to complete the movie. This is especially important with the
rising cost to create films.
Unfortunately, pacts have a negative impact on the film
industry and can also on the quality of texts. Pacts, to an extent, have made the film industry a closed market. With first look deals, scripts are sold
without competition. Other studios
never have an opportunity to bid on them and they never enter the market. Further, with distribution and
production deals, studios limit who they interact with during the whole process. The quality of texts can go down
because the writers involved in pacts may be producing worse scripts than other
writers, but they will often receive the funding instead because of the pact. Further, there script is more likely to
be produced and finished because the studio has a stake in the profits. This could be lower quality movies on
the market, and leave great ones out.
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